FAQ
Our frequently asked questions is an effort to provide answers to the many questions, both asked and unasked, that are common to potential and current Aikido students.
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Description
You don’t have need any special equipment for your first Aikido lesson. Be sure to wear fitted exercise clothes, ideally ones that wick away moisture. No jewelry, socks, or shoes on the mat.
First-timers should also get to the dojo 15 minutes before class starts to meet your Aikido instructor and ask any questions. We want to share Aikido with everyone, so come to work hard and have fun!
No prior experience is needed to begin Aikido training. New students are usually paired with the most experienced students, this allows for faster progress and the system benefits both students. Monday evening and Saturday morning classes are most popular for adult trial classes - Monday, Wednesday & Saturday sessions for children trial classes.
Our New To Aikido introductory package gives access to two trial classes. This will give you a good idea if Aikido and our studio is worth the investment of a full-time membership.
Membership is paid by direct deposit via our Zen Planner system, which is our preferred method. Students can also pay by check or cash. Dues are collected on the 1st of each month.
A minimum of one month notice in writing is required to either freeze or cancel your membership.
In an Aikido dojo, the observation of etiquette is integral to the creation of respectful and attentive atmosphere, which is conductive to learning. Although Japanese forms are unfamiliar to most Westerners, over a period they not only become comfortable expressions of courtesy, but also, as we come to understand the level of meanings behind the forms, they enrich and further our practice. Most basic to these forms is the bow, a gesture of respect and gratitude. If students follow the dojo etiquette they will realize that behind it lies a far deeper meaning that first seems apparent. The humility and respect needed to practice Aikido encourages a growing sensitivity to our environment and interaction with others.
In the dojo, please observe the following guidelines:
- Arrive at least fifteen minutes early for class, change smartly and help prepare the dojo ( a place for the Way), and then be ready for the formal bow.
- Students not training on the mat (but watching the class instead) should remain silent. If asked questions by interested visitors, answer them quietly, accurately and with respect, but not at length. At the end of the class mark that you attended the class.
- At the end of the month your class attendance is totaled and entered into the dojo computer. When Sensei is preparing the list for grading preparation he uses the attendance database and selects people who have satisfied the Hombu dojo attendance requirements for their next level. So, to get to first base do not forget to mark your attendance daily.
- A standing bow is done when entering and leaving the dojo mat area.
- A short period of mokuso (meditation) will be led by the instructor immediately after the warm-up and just before the start of Aikido technical self-defense instruction. If you do not know how to meditate and wish to learn let your Sensei know.
- The formal bow at the beginning or the end of practice consist of one or two seated bows towards the Shomen (the altar) and then a mutual bow between the teacher and students. The form and complexity of this ceremony marking the beginning and the end of class varies somewhat from place to place, so in case of a visiting instructor his or her example should be followed.
- Real effort should be made to be on time for class, but if unavoidably late, wait for the instructor's direction. Remember, when the instructor allows you on the mat, you should perform the formal bow individually before beginning to practice. If it is necessary to leave the class early, a student should inform the instructor and do an individual formal bow to their training partner and to the Shomen at the close of his or her training practice. Do not disturb the rest of the class.
- Onegai shimasu (‘please’ ‘I ask a favor’ or ‘I request’) and arigato gozaimashita (‘Thank you’) are the expressions used at the beginning and the end of class, and also between partners at the beginning and end of class, and before and after the practice of one technique, Shitsurei shimasu is used to excuse yourself, e.g. if you unexpectedly knock into someone whilst training or generally need to excuse yourself to Sensei or a Sempai (senior student.)
- The chief instructor is addressed as Sensei in the dojo and at any other time and place. Yudansha(black belts), should be called by their given name followed by Sempai, e.g., Mary Sempai. All Kohai (junior students) should be addressed as their given name plus San, e.g. Peter San.
- Gi(s) (training uniforms) should be kept clean, taken home and washed a minimum of once weekly. If you train more than two training sessions in a week, you should own two gis, or see to it that you wash your gi twice weekly. Your name should be printed in black on the right sleeve of your gi top. Roll up your sleeves before training; however lower them for Jiyuwaza training, as fingers can get caught in a rolled up sleeve.
- Fingernails and toenails must be kept short for the protection of training partners.
- The proper way to sit during class is in seiza - formal Japanese sitting posture. A cross-legged sitting position is acceptable if sieza is impossible. If a student has a particular problem with knees or a foot that interferes with the ability to sit in seiza, make sure the instructor is informed of the problem, and sit cross-legged. Slouching, slumping or leaning against objects is not conducive to the practice of balance and centering.
- Students should not sit with their backs toward the Shomen. Traditionally this is the place for the instructor or master to sit while watching class and is designated in Aikido by the Bay by the red mats in front of the Shomen.
- If it is necessary to pass by people when they are lined up in seiza facing the Shomen, walk behind them rather than in front.
- After the instructor demonstrates the first technique, students bow, choose a partner quickly, and begin to practice. When the end of a particular practice is signaled (often with a clap or the word "tsugi,” meaning next) students should stop practice immediately, bow (standing) to their partners, and quickly sit in seiza for further instruction, but not with your back directly to the Shomen.
- For reasons of safety, respect and courtesy, it is essential that the teacher's instructions be followed exactly. Many Aikido techniques can be dangerous if not practiced properly. Emphasis should be placed on learning as much as possible through intent observation and concentrated practice; questions should be saved for when they are really necessary.
- Do not use alcohol or drugs before class.
- If you have a permanent pre-Aikido injury you must tell Sensei; if he thinks you can benefit form Aikido training, he will allow you to train; however he will mark your gi so that people are aware you have a problem (and where) so they can take care of you and not aggravate the injury. Temporary injuries must be marked with a pink stick -on marker, supplied by the dojo, so that your training partner knows to take extra care. Do not be reckless with the only body you have.
- Many dojos, including Aikido by the Bay, will wipe the mats down with freshly rinsed rags. It is the students' responsibility to keep the dojo clean. These responsibilities should be taken seriously. Dojo literally means, "place of the way.” It should be a place for misogi (purification) and for our sincere personal work. It is also a matter of hygiene as we are in constant contact with the mats.
- Observation of these traditional forms of etiquette help to create a good atmosphere in the dojo, but more important is the sincere and openhearted attitude toward training which gives meaning to all forms.
- Tie back long hair securely, so as to inconvenience your training partner.
- Make sure you average at least twice weekly training.
- Your monthly training fee must be made by the first of each month.
- None of the Aikido arts are to be revealed publicly and must only be practiced under proper conditions.
- You should ask Sensei's permission if you wish to train at other dojos. Should he agree, he might write you a letter of introduction.
- The dojo is a place to be made special for practicing a special art.
- Your Sensei is special and rare, and must be treated with great respect.
- Uncooperative persons, persons persisting with a destructive attitude, persons who will not learn the style taught at this dojo, who persistently disturb others or refuse to obey dojo etiquette will be dismissed.
- Bowing is an appropriate way of showing gratitude and humility, while at the same time placing one's mind in a state of non-dissension, which is necessary for correct training.
- Bow when requesting personal instruction from an instructor.
- When receiving personal instruction, remain quiet until the instructor has completed his explanation, then bow and thank the instructor.
- Bow after the instructor demonstrates a technique to the class.
- When a deshi (Student) attains a dan rank (first, second, third degree black belt or higher) attendance at the dojo party to celebrate this auspicious achievement is compulsory.
- Always enter the dojo with an open mind and with positive energy (light ki). If you assume you already know, it will be difficult for you to learn.
- Any negative feelings you might be harboring must be left outside the dojo. There is no place for them inside.
- You must purchase your own weapons. Do not use the weapons of other students. The few dojo weapons there are should be used only by beginners in their first few classes.
- No rings, watches, earrings, nose-studs or jewelry of any kind should be worn during practice. If body piercing cannot be removed, they must be secured with a Band-Aid, so they cannot be pulled or torn.
- Do not wear heavily scented perfume, cologne or after-shave in the dojo, as some people are very allergic to these scents.
- When your belt comes undone and/or your uniform needs adjusting, you should face a wall and rectify the situation.
- Do not leave the mat during class without first obtaining the permission of the instructor.
- Never interrupt the class to question unnecessarily. If you must ask a question, wait until an appropriate moment.
- Do not callout or interrupt the instructor while he/she is teaching.
- There should never be conversation of any kind while the instructor is demonstrating. When training with your partner, speak only when necessary; avoid self-justification to your Sempai or instructor.
- Never argue about a technique. If there is a problem that cannot be resolved, ask the instructor for help.
- Never be idle during practice, even when in a threesome. You should be copying or "shadowing" the technique.
- Instructors are to be treated with respect at all times. Never compare one instructor with another. Every Sensei has something unique to share with you. Your job is to discover it.
- Traditionally, the Aikido dojo is a place to train in an atmosphere of calm and serenity. Aikido training requires total concentration. Aikido students expect and enjoy the: "get away from it all" feeling during practice.
- A good uke is responsive, responsible and sensitive.
- A good nage is accurate and skillful.
- Learn to trust. The non-competitive nature of Aikido has a dimension of mutual trust and protection. This attitude of trusting care becomes and integral part of your interaction with and within the environment.
The question of a martial art's effectiveness for self-defense is a widely debated topic in numerous public forums. Self-defense encompasses the ability to ensure one's personal safety by being able to recognize and avoid potential danger, as well as defending oneself against physical attacks.
In the realm of Iwama Aikido, daily practice involves training in defenses against various physical attacks. By practicing against predetermined attacks and understanding the mechanics of specific techniques, students acquire fundamental skills. This training methodology helps cultivate a calm and composed mindset, enabling individuals to respond effectively when confronted with similar situations outside the training environment.
Consistent training not only boosts confidence but also enhances situational awareness. Students develop valuable physical capabilities and a heightened sense of their surroundings, which is crucial for evading victimization.
Aikido has many physical and psychological benefits. It is an ideal martial art for students of all ages and everyone practices at their own level of fitness or proficiency. Aikido training is an excellent program for all-around physical fitness, flexibility, and relaxation. Aikido develops the body in a unique manner. Aerobic fitness is obtained through vigorous training. Flexibility of the joints and connective tissues is developed through various stretching exercises and while practicing different techniques.
- Learn how to deal with and manage conflict in a positive way
- Through Aikido's non-competitive and harmonious philosophy, men, women, and children of all ages can train together in a mutually supportive atmosphere, and at an energy level appropriate for each individual
- A supportive community where you meet people with diverse backgrounds
- Develop better posture and body alignment
- Learn to fall without causing injuries
- Increase physical self-confidence and situational awareness
- Fun exercise that increases coordination and core strength while getting your heart rate up
Iwama Aikido’s founder Morihei Ueshiba (1883-1969) was born at the very end of the Samurai era; by 1952 he had created from its traditional Samurai systems Iwama Aikido. One of the main systems studied by the Founder was Daito Ryu Aiki Jiu Jitsu.
Iwama Aikido was systematized and taught by Morihiro Saito (1928-2002) from the time of the Founder’s death in 1969 until his own passing in 2002. The style was generally considered sufficiently stylistically different from mainstream Aikikai that it was named individually, even though the Iwama dojo remained part of the Aikikai during Saito Sensei’s tenure as Chief Instructor.
Saito Sensei was the student who spent most time directly studying under the Founder (1946 - 1969, a total of 23 years). Throughout his life, Saito Sensei’s purpose was to preserve and teach the art exactly as it was taught to him by the Founder.
Iwama Aikido Fundamentals
The technical repertoire is larger than most other styles of Aikido, and a great deal of emphasis is placed on weapons training.
Basic/ hard training, katai keiko
Students spend a long period training on basics, they first learn how to perform techniques from the most unfavorable position, that is when an attacker has already taken firm hold.
Relationship between weapons (sword, staff) and hand-to-hand techniques, Riai
The relationship between weapons (Aiki-ken/Aiki-jo) and hand-to-hand (taijutsu) is major. Weapons techniques are identical to those of hand-to-hand, the form and the movements are the same. In Iwama Aikido the movements don't change whether one is holding a weapon or not.
Stance, hanmi, that is, rear stance, ura-hanmi
This stance makes it possible to:
- Defend against all attacks from single, and multiple attackers.
- Perfectly combine sword, staff and hand-to-hand techniques – Riai. Train hand-to-hand thinking sword and train sword thinking hand-to-hand. Separate, these two are not perfect. Together, perfect Aikido is possible.
- Synchronize, blend, co-ordinate, harmonize with attacks – not clash. Awase. Therefore, weak and older people can also practice.
- Move differently, creating more, and safer openings – Aiki Tai Sabaki
Blending, awase
It is the job of the person performing the technique/receiving the attack (tori/nage) to blend with the attacker- not the other way around. It is the job of the person doing technique to find the proper angles, progression, and blend in order to be able to execute a “winning technique” on someone. This concept is not easy to explain in only a few words, but it is quite easy to show when teaching/doing a technique.
Kihon/gotai (static) - Awase/jūtai (blending)
Ki-no-Nagare/ryūtai (flowing)
The system of Kihon/gotai (static practice) - Awase/jūtai (blending practice) - Ki no Nagare/ryūtai (flowing practice) is a very specific characteristic of Iwama Aikido. This system of training is not as clearly codified in other styles of Aikido. It’s an amazing pedagogical tool. Starting with the Kihon form to learn the correct form, step by step, and based on having to move when held firmly, in order to learn the correct angles and stable positions. Then moving into the Awase Level, where the form you have learned in Kihon is used without changes but adding the flowing timing. When the form and the flow is learned then you progress into Ki no Nagare, where the initial tai sabaki (whole body movement) entrance changes.
We do not practice how to win; we are training a winning technique. -Morihiro Saito Sensei
We highly recommend asking your doctor. They know what's best for you and your situation. Typically, students perform some of the exercises without taking ukemi (falls).
Your membership allows you to unlimited classes. We recommend that students attend a minimum of two classes per week.
Aikido is a traditional, non-competitive Japanese art that uses locks, holds, throws, and the opponent's own movements. Aikido, literally means ‘way of adapting the spirit’, from ai ‘together, unify’ + ki ‘spirit’ + dō ‘way’.
Ai - Harmony, unity, to join or become one with. The word carries the feeling of the strength and power of natural forces.
Ki - Spirit; life force or vital energy; the essence of universal creative energy.
Do - The way or Path. "The Way" means to be one with the will of the universe and embody its functions.
As Aikidoka (students of Aikido), we seek an understanding of the Japanese language and culture. We do this for the same reason we might read the writings of a famous author in their original language to get as close as we can to the meaning of the author and for better understanding. This does not mean we should have a goal of becoming Japanese-like. This would not necessarily enhance our study of Aikido. If, however, we find aspects of the Japanese culture to be beautiful and desirable, we should feel free to enjoy them as one more beneficial aspect of our study.
Becoming familiar with a different culture is an exciting and rewarding adventure when it is approached with an open and accepting mind. A different language, different foods, different clothes, different customs - and often even a different perception of reality - are all part of this experience. However, it is not the differences, but the similarities, which are more enlightening. For example, if we begin to think of the well-known Japanese custom of bowing as something akin to the western custom of handshaking, we can appreciate both actions as merely different manifestations of the same basic human need. This analogy may not be perfect, but it can help us begin to remove some of the mystery often associated with the study of Aikido.
In many dojos that have a Japanese Sensei (teacher), the Japanese language and customs are more strictly followed. In dojos that have non-Japanese Senseis, these customs are often set aside. As a student of any dojo, one must be careful to accept the way each Sensei has chosen to teach Aikido in that dojo.
Whether or not the Japanese language and customs are stressed, they will always be basic protocol practiced. Don't be surprised, when you visit another dojo, to find that they do not open classes, conduct classes and close classes the same way your Sensei does. Respect everything when you visit a dojo and experience the Aikido that is there.
The Japanese language and customs are important and conductive to the learning of Aikido. If you can understand and use the basic language used in Japanese dojos, you can usually practice Aikido anywhere and feel comfortable. If you do not make the effort to learn the terminology, you will be forced to translate first and then train, thus loosing valuable mat time. Also, someone who has attained the rank of Yudansha (Black Belt) may find it somewhat embarrassing to practice at a more traditional dojo and not be able to understand the terminology. A student of Aikido should be a student of all aspects of Aikido training. One should make an effort to find out as much about Aikido as possible whether or not your Sensei stresses those aspects.
Basic Terminology / Japanese word or term definition
Atemi waza - Striking techniques, blows.
Boken - Wooden sword used in practice.
Budo - Literally, the Way of the Warrior arts; but the deeper meaning is, the Way of the protection of society, of strength and honor in peace. "A mind to serve for the peace of all human beings in the world is need in Aikido and not the mind who wishes to be strong and practices only to fell an opponent. There are neither opponents nor enemies for true Budo. Therefore, to compete in techniques, winning and losing is not true Budo. True Budo knows no defeat. 'Never defeated' means never fighting."
Bushido - Warrior's code, "Way of the Warrior"
Dan - Aikido rank, grade holder, black belt rank.
Deshi - Student, pupil, disciple
Dojo - The place where the "Way" is revealed. A place for strengthening and refinement of the body, mind, and spirit. (Formally a term used by Buddhist priests in reference to the place of worship.)
Dojo cho - Term used for the head of the dojo; dojo leader.
Doshu - Honorary title for the master of the Art. The present Doshu is Moriteru Ueshiba, the grandson of the late O-Sensei, Morihei Ueshiba.
Fuku Shidoin - Title used for assistant instructor; usually second dan and below.
Gaeshi - To reverse.
Gi - Training uniform.
Hakama - Wide-skirted pants worn over the gi. Symbol of a Samurai culture and an important part of the Aikido training uniform. Typically worn by Yudansha.
Hanmi - The relaxed triangle stance of Aikido, stable yet flexible enough to move quickly in any direction.
Hanmi handachi Nage - is kneeling and opponent attacks from a standing position.
Hantai - In reverse order.
Hara - The lower abdomen; the center of life energy, physical and spiritual. Often used as a synonym for "guts", courage.
Hidari - Left (direction)
Irimi - Moving into and through the line of attack with no thought of escape. Technique of entering and choosing death.
Jo - Wooden training staff about 50" long and 3/4" to 1" thick.
Joseki - Upper side of the mat opposite the shimoseki.
Jumbi taiso - Aikido exercises.
Kaiten - To revolve or rotate.
Kamae - A posture or stance of readiness. There are many different stances, and within each stance there are different positions for the hands or weapon: jodan - high position, chudan- middle position, gedan - lower position.
Kamiza - Upper seat on the mat, opposite the shimoza.
Kannagara - The stream of God. The flow of creative energy which reaches form the past into the future.
Kata - Shoulder.
Katana - Japanese sword; blade.
Keiko - Study or practice. The deeper meaning is reflection and refinement; to return to the origin and discover reality. Only through the study of the past, and an appreciation for its experience, can we understand the present and refine our spirit.
Ken - Japanese sword
Kenkyo - Confidence with modesty.
Kiai - The release of spiritual and physical power in the form of a piercing scream originating in the hara. Literally, a meeting of the spirits.
Kohai - Junior student. Anyone who begins the study of Aikido. You owe them your help and support.
Kokyu - Power of breath and life force; the coordination of ki flow and breathing.
Kotodama - The spiritual function of sound. Every one syllable sound has its own spiritual vibration.
Kyu - White belt grade; a mudansha (shoshinsha) or undergraduate.
Ma-ai - The distance of time and space between uke and nage; the movement of mind, the stream of spirit and the direction in which mind and spirit move, along with physical distance, determines the balance and proper use of space.
Migi - Right (direction).
Misogi - Purification of mind, body and spirit. Sweating is misogi; cleaning is misogi; fasting is misogi; keiko is misogi.
Mushin - No mind; a mind without ego. A mind like a warrior which reflects and does not judge.
Musubi - Opposites are but different images of the same reality. Musubi is the process of their unification. It is the movement of the spiral.
Nage - To throw; the person who throws.
Nai kan gyo - Silence and action; training which teaches us to still the mind and see inside.
Obi - Belt (part of the gi).
Omoiyari - A mind of concern for others feeling, safety and situation.
Omote - To the front.
O-Sensei - Great teacher - The title used for the Founder of Aikido.
Randori - Freestyle against multiple attack.
Rei - To bow; salutation.
Reigi Rei - also translates as Holy Spirit; gi as manifestation. Combined, it means proper etiquette, to respect the creative force and spirit which is the same in all of us. In essence - we are different, but one in origin; our bodies are different, but our spirits are the same; our functions are different, yet we share the same responsibility to God.
Ryote - Both hands.
Samurai - Originally came from the verb "to serve." Noble and honorable, one who has the duty and responsibility of protecting society.
Sempai Senior student - Anyone who began the study of Aikido before you. You should respect this person's experience.
Seiza - Formal sitting position, the only proper way to sit on the mat.
Senshin - A purified and cleansed heart and spirit; enlightened attitude.
Sensei - Teacher; one who gives guidance along the way. Literally means "borne before."
Shidoin - Title for Aikido teacher with typically the rank of third dan.
Shihan - Title for a master teacher who has been ranked at least to the grade of sixth dan.
Shimoseki - The lower side of the mat, opposite the joseki.
Shimoza - The lower seat on the mat, opposite the Shomen.
Shinai - A split bamboo practice sword
Shomen - The upper seat, the shrine which houses the picture of the Founder and the spirit of Aikido. Not a religious symbol, but a spiritual one.
Shugyo - The day-to-day struggle; the work of education to refine and purify the quality of life.
Suburi - Training. Suburi is training as opposed to kumi tachi, which is study (keiko).
Suwari waza - Techniques beginning with both attacker and defender in formal sitting position, executed from the knees.
Tachi - Japanese long sword; can also mean "from the standing position.” Taijutsu Empty-handed techniques.
Takemusu Aiki - Enlightened Aikido. "Aiki has a form, and does not have a form. Aiki is a life which has a form and still flows with change; it expresses itself by changing itself. A form with a form is a word and a poem that expresses the universe limitlessly."
Tanden - The center; your center of being.
Tanren - Striking practice with a sword or boken. The same cut is practiced over and over again.
Tanto - Wooden practice knife.
Tenkan - Turing to dissipate force.
Uchi deshi - Live-in student; personal student or disciple.
Uke - One who receives; the person being thrown.
Ukemi - Techniques of falling. The art of protecting oneself from injury. The first and most important step to developing good Aikido technique is learning to take ukemi well.
Ura - To the rear.
Waza - Technique. Way of…
Yudansha - Black belt rank holders.
Zanshin - Continuity; remaining aware and prepared for the next attack.
Common dojo phrases
Abunai - Watch out! Be careful.
Arigato gozaimasita - Thank you for what you did. (spoken at the end of practice)
Do itashimashite - You're welcome; Don't mention it.
Doozo - Please; as in go ahead. (This may be an instruction from your teacher when he wants you to begin practice after demonstrating a technique.)
Gomen Nasai - I'm sorry; forgive me.
Hai yame! - Please stop! (This will be said by your instructor during keiko when he wants you to stop.)
Hajime! - Please start. (This will be said by your instructor when he wants you to begin; often said with emphasis.)
Konban wa - Good evening.
Konnichi wa - Good afternoon.
Mokuso! - Please come to attention; make yourself ready for keiko. Meditate! (This will be said in the form of a command by your Sensei or Sempai at the beginning of class and the end of class just before the ceremonial opening and closing bow, respectively.)
Ogenki desu ka? - How are you?
Ohaiyoo gozaimasu - Good morning.
Onegai shimasu - Thank you for what we are about to do. Thank you for your help.
Oyasumi nasai - Good night. (when leaving.)
Sayonara - Goodbye.
Words of Attack
Hanmi handachi - Uke standing, nage sitting
Jo tori - Jo taking techniques.
Kao tsuki - Punch to the face.
Katate tori - One hand grab to wrist.
Kata tori - One hand grab to shoulder.
Kete tsuji - Kick to the gut.
Different Attacks
Morote tori - Two hands on one.
Mune tori - One-lapel grab from the front.
Mune tsuki - Thrust or punch to the gut.
Ryokata tori - Front two-shoulder grab.
Shomen uchi - Strike to the forehead.
Suwari waza - Techniques from sitting.
Tachi tori - Sword-taking techniques.
Tanto tori - Knife-taking techniques.
Ushiro kubishime - Back choke.
Ushiro ryokata tori - Shoulders grabbed from behind.
Ushiro tekubi tori - Both wrists grabbed from behind.
Yoko men uchi - Strike to the side of the head.
Parts of the body
Ashi - Foot
Hara - Stomach
Hiji - Elbow
Hiza - Knee
Kata - Shoulder
Koshi - Hip
Kubi - Neck
Kuchi - Mouth
Me - Eye
Men - Head
Mune - Chest
Rokkutsu - Rib
Senaka - Back
Te - Hand
Tekubi - Wrist
Yubi - Fingers
Counting to Ten
(usually called out by the instructor)
Ichi One
Ni Two
San Three
Shi or Yon Four
Go Five
Roku Six
Shichi Seven
Hatchi Eight
Ku Nine
Ju Ten
Niju Twenty
Nijuichi Twenty-one
Sanju Thirty